Centering on the argument that it is inappropriate to analyze Surrealist works through the lens of realism, this article proposes a unique way of interpreting Jan Švankmajer’s film Food, emphasizing that the fusion of reality and the unconscious is the essence of the work. Before we get started It’s wrong to analyze surrealist works in the same way as traditional realist...
Is interpreting the film Food through a realist analytical framework a valid approach to reflecting the essence of Surrealism?
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